Markus Schulz – Do You Dream: The Remixes Album
In 2010, Miami’s Markus Schulz embarked on his most challenging year to date. He accumulated almost 150 gigs over 12 months – an indicator of his status as one of the elite members on the DJ circuit, and solidifying that fact with consolidating the number 8 position in DJ Mag’s Top 100 for the third straight year. And the fuel behind his whirlwind tour schedule was attributed to his third critically-acclaimed artist album – the followup to previous long-players Without You Near and Progression – entitled “Do You Dream?”
In 2011, following an outstanding effort through his Prague ’11 compilation and with a second album under his Dakota alter-ego slated for arrival in the summer, the legacy of Do You Dream will also play an integral role in Markus Schulz’s year. And with his inaugural tour DVD coming soon; we present the penultimate chapter in this particular story – the Remixes album.
All 16 tracks from the original album have been anointed with remix treatment, with each producer or group carefully assigned a particular track in order to best demonstrate their unique interpretation of Markus’ sounds.
Kicking off with the mystic Alpha State, taken to another level and primed for the clubs by Coldharbour favorite Mike Foyle, the journey moves into broodier waters; with haunting basslines that could only be associated with popular German duo Cosmic Gate on Away. The euphoria of Rain is elevated to stadium-sized intensity thanks to the talented Dutchman Phynn – responsible for many a Coldharbour anthem in the past 12 months. The original of Rain was dedicated by Markus to the clubbing utopia of Las Vegas; and with a brand new residency launched at the new Marquee venue, the legacy of this track in particular runs in parallel with the Do You Dream story overall.
Another Dutch trio immediately follow, with Jochen Miller and Ferry Corsten delivering energetic bursts on Dark Heart Waiting and Do You Dream respectively. And in between lies a massive big room slant on Not the Same by Carlo Resoort